Compiled in no particular order by Music Directors Erin Ober and Curtis Heimburger
Thirdstory – Cold Heart (soul pop)
This album is heart wrenching and painfully well thought out from start to finish. The lyrics are flawless in message and flow, and the vocals are simply insane. You will want to cry and dance and call your ex (maybe don’t act on that last one) upon hearing Thirdstory’s luxurious harmonies and consistent connection. They remind me of a more soulful and sensitive One Republic with a much heavier focus on lyrical content and storytelling.
Haley Blais – Let Yourself Go EP – (indie folk)
Haley Blais is an indie folk artist hailing from Vancouver, B.C. “Let Yourself Go” is her first release with Rumpus Room Records, engineered and mixed by Trevor Lang. The EP starts out slow and sweet with soft vocals and ukulele and quickly picks up to an almost ABBA inspired vibe. The record has a nice balance of Haley’s personal side of life and her natural ability to write a catchy song. Her style is easy to love and even easier to relax to.
Continue reading “2018 in Review: Top 10 Prime Slices of the Year”
Alice Merton – MINT (power pop)
Alice Merton’s newest album, MINT, is a whirlwind of edgy pop jams that pack a serious punch. Her writing style is unique and memorable, and although she has had her fair share of skeptics, Merton has stayed true to her vision and sound. One of her more recognizable songs, “No Roots,” has a phenomenal hook and some really great, heavy guitar lines grounding the whole arrangement. “Why So Serious” is Merton’s own personal anthem about how music is supposed to be fun and creative rather than so focused on popularity and money. Check out the official music video below!
Continue reading “Erin’s Prime Slices (12/9-12/15): Alice Merton, Down Dirty Shake”
The Beths – “Have Yourself A Merry Little Christmas” – (indie rock)
Well as fate would have it, I have another spicy Christmas release for you all to listen to. The Beths, who put out their third album, Future Me Hates Me, just a few months ago, did up a nice cover of “Have Yourself A Merry Little Christmas.” It has a really wonderful Doo-wop vibe through the start and then kicks in with a crunchy electric guitar playing the melody and eventually taking off into a Beths style solo, it quiets down and sweetly ends with the string section vamping with the band. It’s one of my new favorite versions of the classic and honestly my favorite song of the week. Put this on your next Christmas playlist!
Continue reading “Curtis’ Prime Slices (12/9 – 12/15) The Beths, Starcrawler”
Los Straitjackets – Complete Christmas Songbook – (surf/ska)
Well it’s December 1st and you know what that means! Christmas albums coming to us from all directions. This week we got Los Straitjackets’ sweet new holiday record, Complete Christmas Songbook. Any fans of Dick Dale or Link Wray are probably going to have this on for the majority of the month. The songbook has a total of 27 tracks ranging from classics like “Frosty The Snowman” and “Jingle Bells” to brand new ones like “Holiday Twist” and “Groovy Old Saint Nick.” The sound is a nice blast from the past and it really stands out from just any other Christmas album. It’s chock full of danceable tunes that’ll be sure to liven up any holiday family gathering!
Continue reading “Curtis’ Prime Slices (12/1 – 12/8): Los Straitjackets, Sticky Fingers”
Since this week will be cut short by Thanksgiving, I only had one prime slice pick: Speedy Ortiz’s newest album Twerp Verse. Although beginning the recording process all the way back in the fall of 2016, the band decided to rethink a lot after election day (for obvious reasons). As a band that prides themselves on releasing politically driven music from their very first project, Speedy Ortiz felt that they couldn’t release some of the tracks that had focused on more frivolous topics. The title “Twerp Verse” is a phrase coined by front woman Sade Dupius to describe “when a musician guests on a track and says something totally outlandish – like a Lil Wayne verse – but it becomes the most crucial part.” This album acts as one big “Twerp Verse” for Speedy Ortiz, holding some pretty substantial messages about the struggles faced in the current, skewed world we live in.
Continue reading “Erin’s Prime Slice (11/25-12/1): Speedy Ortiz”
Moving Panoramas – Baby Blues [single] – (indie rock)
This week, indie rock band Moving Panoramas caught my attention with their incredibly groovy new single, “Baby Blues.” It has a great energy that reminds me of bands like Soccer Mommy and The History Of Apple Pie. This is the first single from the highly anticipated sophomore album In Two and if this is what’s to be expected, I can’t wait either. The compressed bass and drums together give the song a very driving feeling that really makes you wanna tap your feet. The melody and lyrics compliment each other nicely and get stuck in your head pretty fast. Give it a listen!
Continue reading “Curtis’ Prime Slices (11/18 – 11/24): Moving Panoramas, Theia”
Rose Droll – Your Dog (singer-songwriter)
The only reason I classified this album as “singer-songwriter” is because I could not think of a single other way to fully encapsulate all that I was hearing. It begins with a bass line reminiscent of Lou Reed’s “Take a Walk on the Wild Side,” accompanied by a looping drum machine and breathy background vocals. The second track, “Hush” completely caught me by surprise by opening with a line from “This Little Light of Mine,” followed by some seriously cutting rap verses spoken in an almost whisper. This album is seriously unique and, to top it all off, Rose played every single instrument on the record. The lyrics are complex and completely honest, but definitely require a few listens to fully unpack.
Continue reading “Erin’s Prime Slices (11/18-11/24): Rose Droll, Maiah Manser”
Poppy – Am I A Girl? – (future pop)
Probably one of the more memorable albums of this year is Poppy’s second album Am I A Girl?. After the first record it was hard to tell where she would go stylistically and the answer is heavier and even more strange. Going track by track, each one has a distinct theme, whether it be poking fun at pop culture or even herself, they’re all adding to the robotic character that is Poppy. The Song “Time Is Up (feat. Diplo)” describes her waking up in the factory she was made in and finding herself in a dying world she doesn’t understand; eventually saying there’s no going back and that humankind will inevitably be erased. The title track then talks about her programming not being able to process whether she’s a boy or a girl despite everyone saying she’s a girl. Now, as far as genre, the album is pretty consistent. That is until the last two songs. Continue reading “Curtis’ Prime Slices (11/11 – 11/17): Poppy, Y La Bamba”
Joji – BALLADS 1 (dark electro pop)
After receiving this album in my inbox, I suddenly started seeing a ton of Spotify video ads promoting Joji. Although I had already given each track a brief listen, like any good millennial, I decided to revisit the album after realizing people online thought it was a big deal. And it totally is! BALLADS 1 opens alternating between a simple piano line and distorted heavy bass in its first track “ATTENTION” grabs just that from the listener. “CAN’T GET OVER YOU (feat. Clams Casino)” is super unique, relatable lyrically, and probably one of my favorite tracks off of the album. Definitely check out Joji and keep up with him as I am sure this is not the last we will hear from him. Besides, when is the last time you listened to an album with song titles in all caps that didn’t turn out to be a complete success??
Continue reading “Erin’s Prime Slices (11/11 – 11/17): Joji, Charles Bradley”
WAAX – Wild & Weak EP – (Hard Rock)
On Tuesday, female fronted hard rock band WAAX gave me a good start to my shift with their new EP, Wild & Weak. I got that excited feeling that happens when you first listen to something really good. And it happened for every song. The release holds so much energy in each track that it feels like you’re listening to a live show. The drums are well rounded and sound full, the guitars are punchy and tight, and the vocals are raw and in your face. None of these songs sound out of place or thrown in. they sound like they’ve been shedding these tunes for awhile and needless to say, it’s paid off.
Continue reading “Curtis’ Prime Slices (11/4 – 11/10): WAAX, Mike Molnar”