Erin’s Prime Slices (9/27): illuminati hotties, Prince

illuminati hotties – Kiss Yr Frenemies (indie rock / tenderpunk)

illuminati hotties is an indie pop group fronted by lead singer Sarah Tedzin. Releasing their debut album, Kiss Yr Frenemies, earlier in 2018the band has been off to a really amazing start. The lyrics are personal and playful and the instrumentation is delicate when it demands to be. Other times, there is a clear, punchy energy that more closely mirrors the way in which Sarah describes her genre as “tenderpunk.” If you are in your 20s, or ever have been, you will relate hard to this album (warning: ugly crying entirely possible). Check out Illuminati Hotties next Wednesday, October 3, at O’Brien’s to live out your inevitable connection with Sarah Tedzin in person! Also check out the emotional rollercoaster of a music video/ animation by artist Sam Lane for the track “Cuff.”

link to tickets:

link to illuminati hotties FB:

Continue reading “Erin’s Prime Slices (9/27): illuminati hotties, Prince”

Curtis’ Prime Slices (9/22 – 9/25): The Dirty Nil, Raquel Rodriguez

    The Dirty Nil – Master Volume (hard rock)

Canadian hard rock trio The Dirty Nil came at me today with a brutal amount of force, to say the least. This being the band’s third studio album, they’ve seemed to have found a sound they’re comfortable with that consistently wants to punch you in the face (in a good way!). The problem I have with a lot of bands in this genre is they rely too much on what they listen to and end up trying to recreate something that ultimately sounds like a knock off; this however is not the case. Their riffs and melodies are fun to listen to and feel new and exciting. Fans of bands like Pup and White Reaper will definitely dig this.

Continue reading “Curtis’ Prime Slices (9/22 – 9/25): The Dirty Nil, Raquel Rodriguez”

Erin’s Prime Slices (9/20): Tirzah, Odesza

Tirzah – Devotion (synth, British R&B)

Repetitive yet entirely unpredictable, Devotion is a wild ride from start to finish. Tirzah’s vocals are raw and soulful amidst some seriously hypnotic synthesizers. While tracks like “Say When” feature a simple repeated arpeggiated piano line beneath solo vocals, others such as “Holding On” involve a bit more production and moving parts. Overall, a very interesting listen I would recommend anyone try out.

Continue reading “Erin’s Prime Slices (9/20): Tirzah, Odesza”

Curtis’s Prime Slices (9/11 – 9/18): Skegss, Charles Bradley

      Skegss – My Own Mess (Indie Garage Rock)

This being Skegss first full length album, it’s impressive to hear such catchy and energetic songs throughout the release. Hailing from Byron Bay, Australia, the trio have been playing together since 2013 and putting out music since 2014. their sound is not unfamiliar to most but the excitement and personality that shines through is, well, exciting. It’s the kind of record that makes you want to stay up till 3:00 a.m. on the beach with friends surrounding a campfire. Which I can’t imagine being too different from what the boys in Skegss do on a regular basis.

Continue reading “Curtis’s Prime Slices (9/11 – 9/18): Skegss, Charles Bradley”

Erin’s Prime Slices (9/13): Iron & Wine, Donnie Law

Iron & Wine – Weed Garden (indie folk rock)

Contrary to the implications presented by the title, Iron & Wine’s latest album, “Weed Garden”,  is full of beauty and demands to be appreciated. With echoing vocals, layers of percussive guitar lines, and unsettling strings, the album ebbs and flows between suspense and delicate satisfaction. Iron & Wine stays true to the warm sound that they have been known for since day one in this latest release.

Continue reading “Erin’s Prime Slices (9/13): Iron & Wine, Donnie Law”

Ruby’s Prime Slices (7/9): Fit of Body, Snail Mail

Fit of Body – Black Box No Cops (Lo-Fi House, Bedroom Electronic)

Fit of Body brings a punk ethos to the the usually aloof field of lofi electronic. Black Box No Cops sounds like smooth easy listening hotel music, but with a certain grit. The aesthetic is something of a 2018 bandcamp/soundcloud version of LCD Soundsystem. The subtlety of attitude is what sets this album apart from scores of DIY producers. It gets deeper with each listen.

Continue reading “Ruby’s Prime Slices (7/9): Fit of Body, Snail Mail”

Ruby’s Prime Slices (6/28): Now, Now; Self Defense Family; and Jupiter & Okwess

Now, Now – Saved (Pop)

As somebody who has dearly missed the sickeningly sweet rock tinged pop of the mid 2000s (think Avril Lavigne and Kelly Clarkson), Now, Now‘s new album makes me feel Saved. This album is seriously infectious and fun- a pure and emotional pop record both for 2005 and 2018.

Continue reading “Ruby’s Prime Slices (6/28): Now, Now; Self Defense Family; and Jupiter & Okwess”

The BIRN Interview with Singer-Songwriter Julie Byrne

Singer, songwriter, guitarist and poet Julie Byrne stopped by the Berklee Internet Radio Network studio in 2017 for an interview. Her latest album, Not Even Happiness, was released in January of that year. Byrne talks poetry, her evolution as a songwriter, and performing live.

The audio features “Natural Blue” and “Morning Dove” from Not Even Happiness.

Album Review: Brazilian Girls, Lets Make Love

The Brazilian Girls are an eclectic group of four musicians (Sabina Sciubba, Jesse Murphy, Didi Gutman, and Aaron Johnston) with an intense musical chemistry and a shared passion for the unexpected. Surprisingly, none of the members are actually from Brazil, and Sabina is the only female of the bunch. Their most recent release, “Let’s Make Love”, is an incredible example of the chaotically original, yet polished sound the Brazilian Girls are able to create.

Continue reading “Album Review: Brazilian Girls, Lets Make Love”

Album Review: ZHU’s RHINGO’S DESERT PT. 1

Review by Justin Cameron

ZHU’s career has always been mysterious. He never offers fans a look into his personal life, and instead, gives them exceptional music for the past four years. He’s carved out his niche in the electronic music scene, creating music from an artistic point of view rather than of a musical one. ZHU’s songs all have dark undertones complimented by screaming guitar and sax solos as well as sparse, spacey vocals. Continue reading “Album Review: ZHU’s RHINGO’S DESERT PT. 1”