Ryan’s Prime Slices of the Week (2/10-2/15): Papooz, Mapache

PapoozNight Sketches – indie rock

This new album by indie rock duo Papooz, is a great mellow new find to add to your music collection. The upbeat arrangement which is reminiscent of Supertramp, and has smooth breathy vocals which add a certain unique quality that only this duo could provide. My personal favorite is  “Good for Nothing” which is somewhere in-between soft rock and something coming out of the indie-lofi scene. The clear understanding of production and space by these two is something to be heralded and adds so much to what may fall flat if left in the hands of lesser artists. Papooz is blowing up all over and becoming a fast favorite so give them a listen below and check out their new album Night Sketches!

 

 

Mapache – Life On Fire [single] – folk rock

 

This folk rock duo Mapache just released their newest single “Life On Fire”, and these two take you back to a time where 8 track was king, denim on denim,  and long hair was the style. This ambitious duo with a throw back sound bring the best of the 70s folk rock movement into the modern age. Though their sound may be from forty years ago but the lyrics certainly reflect the modern age, and don’t spare any gory details.  The warmth of this track is perfect to keep you company all winter long, and is a great song overall! This track is light and fun, with a Allman Brothers-esque vocal style that is sure to have you singing along! Give “Life On Fire”by Mapache a listen below!

 

 

Ryan’s Prime Slices of the Week (2/3 – 2/8): Marcus King, Nathaniel Rateliff

Marcus KingEl Dorado – rock

New comer Marcus King from Greenville, South Carolina brings classic country inspired rock into the modern age with El Dorado. Produced by Dan Auerbach of the Black Keys, and is easily the newest jewel to come out of Easy Eye Sound, Marcus King brings a 70s inspired  heavy but gentle sound into the 2020. King’s vocal style is raspy and warm, and when paired with a gritty distorted guitar and warm tapey acoustic it completes the entire sonic imagine that is so reminiscent of classic country mixed with modern blues rock. The songwriting of Marcus King is masterful and well restrained proving his mastery of his craft. The entire album is a collection of gems and is a fantastic album to kick off the new year! This album is already #1 on the Top New Artist charts, and multiple others, so if you haven’t checked El Dorado out yet, give it a listen below!

 

 

Nathaniel Rateliff – And It’s Still Alright [single] – americana

 

 

The newest single by americana artist Nathaniel Rateliff  reflects the true nature of modern folk songwriting with his title track off his upcoming album  “And It’s Still Alright”.  Nathaniel is obviously inspired by the soft acoustic nature of 70s country and brings in the contemporary flare of modern lyric writing and production to his music. This track is reflective and melancholy with a level of songwriting that only comes with the wisdom of age and the lessons learned along the way. Recently performing this tune on Fallon, Its safe to say that Nathaniel Rateliff will be the next big thing in Americana and Folk music and we’re all excited to see how high he can go! His new album “And It’s Still Alright” come out February 14th but you can listen to his single below!

 

 

Kelsey’s Prime Slices of the Week (2/3-2/8): Bombay Bicycle Club, Transviolet

Bombay Bicycle ClubEverything Else Has Gone Wrong – indie rock

Bombay Bicycle Club is back from its hiatus, and the indie rock group is better than ever. The band has returned with a glorious reintroduction and album, Everything Else Has Gone Wrong. The album features lovable indie grooves and a current sound with synths, loops, relatable lyrics, and even some tambourine. Simply put, the album has a sleek modern sound with something for everyone, and the lyrics stand toe-to-toe with the album’s sound. The title track of the album reflects the importance of music in unsettling times. It’s a very self-aware song, and Bombay Bicycle Club‘s writing definitely stands out against the background of today’s sound. The sixth track on the album, “Eat, Sleep, Wake (Nothing But You)”, also does a great job of highlighting the band’s incredible writing. In less than four minutes, the group uses untraditional song forms and distinct lyrics to create a work of art that is both intriguing and exciting. Overall, Everything Else Has Gone Wrong is exhilarating from beginning to end – there really is no group quite like Bombay Bicycle Club. Be sure to give them a warm welcome back to the world of music and give Everything Else Has Gone Wrong a listen!

Continue reading “Kelsey’s Prime Slices of the Week (2/3-2/8): Bombay Bicycle Club, Transviolet”

Soundscapes of Spain: The BIRN Preview

In this BIRN Podcast , Contemporary Writing and Production professor Jerry Gates, Berklee faculty, Olivia Perez, dancer and choreographer, Sonia Olla, and vocalist, Ismael Fernandez, preview Soundscapes of Spain: From Flemenco Roots to Fusion, a concert at the Berklee Performance Center on Thursday, January 30, 2020. For more information about the show, please click here.

 

Kelsey’s Prime Slices of the Week (1/20-1/24): Bag Raiders, José James

Bag RaidersHorizons – electronic

Bag Raiders‘ album Horizons is a bold and modern development in the world of electronic music. The Australian duo’s latest release smoothly blends pop and house, acoustic and electronic. Tracks like “I Need You” illustrate Bag Raiders‘ eclectic influences, as layered harmonies float over an electronic beat, acoustic guitar, and synths. Aside from featuring various musical techniques and styles, Horizons also does an amazing job of highlighting different moods throughout. While tracks like “Back To Myself” take a slightly darker and edgier tone, tracks like “Lightning” contrast with a cheerful, major sound. Overall, Horizons is overflowing with creativity, and it’s quite an exciting find for listeners. Give it a listen below!

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Kelsey’s Prime Slices of the Week (12/23-12/28): Wye Oak, Ollie

Wye Oak – “Fortune” [single] – indie rock

Indie rock duo Wye Oak are here to shake up the indie rock genre with their latest single “Fortune”. Jenn Wasner’s captivating vocals and catchy bass lines matched with Andy Stack’s unfaltering drum grooves give the track a mysterious feel. The lyrics further establish the mystery of “Fortune”, as they take a dark and enigmatic tone. Wye Oak did an outstanding job of creating a sound that transcends the typical indie rock borders; “Fortune” is alluring in every aspect, and listeners are bound to sing along. Simply put, it’s a great song from a great band. Check out Wye Oak‘s “Fortune” below!

Continue reading “Kelsey’s Prime Slices of the Week (12/23-12/28): Wye Oak, Ollie”

BIRN Album Review: yikes! by Silver Sphere

Bedroom pop artist Sophie Cates (known as Silver Sphere) has released her first eight-track full length album yikes!, a unique culmination of heartbreak songs. With a stage persona that’s described as not from this earth, Silver Sphere is a being of magic that has yet to come to the forefront of pop.

With songs like “drinking games” and “boys r dumb! duh!”, Silver Sphere paints a picture that makes your heart ache for her, utilizing parties as a theme to show the listener how different the guys in her life act around others versus how they act around just her. Further describing the meaning behind the song, Cates has stated:“‘Drinking Games’ to me is a song about knowing you’re wasting your time with someone but continuing to see them because the person is so captivating that you don’t even care if you’re feeling used. It’s about realizing that it’s more important to value yourself than playing a silly game with someone that doesn’t have the best intentions.”

As the album progresses, Silver starts to become more wary of the boys that keep breaking her heart, and rightfully so. This new found self discipline is shown on the song “boys in bands” which is about falling victim to the same type of boy (musicians in her case) so often that she realizes she needs to stop letting herself go down that path. Her newfound confidence and fed up attitude is shown in the lines, “The second you walk in with tattoos and problems / I can’t help but think I’m the one who could solve ‘em / I can’t do that again.” The catchy chorus and dance-able unique techno sounds make “boys in bands” a song that’s scream-able by anyone, especially Berklee students who can relate.

When it seems like she has taken a stand against the boys that waste her time, Silver backtracks to the same mentality she had previously in “drinking games” and “boys r dumb! duh!” with the song “waste my time”, the epitome of her internal struggle. Although the title maintains the heartbroken tone of the album, the sonic vibe of “waste my time” isn’t as sad as the listener would expect. This song is a romanticization of boys that are bad for you and will never commit which Silver is clear about in the beginning, saying: “You are never gonna be the type to commit / one day you’re in love then you’re over it / But I can never get tired of chasing you / Even when I know what you’re gonna do.” If you have ever read Silver’s “about” page on Spotify and not understood what “I love pop music and breaking my own heart” meant, this song makes the statement clear.

The last song “sucks 4 u” is about finally overcoming a breakup and realizing that you’re going to be okay, giving the listener closure and resolution. When describing this song, Silver explained, “Writing this song helped me look past those negative things looming from my last relationship and focus on the positives in my life at the time, and I hope it does the same for everyone listening.”

As a whole, yikes! allowed the listener to learn and grow with Silver, feeling the heartbreak, independence, and love she experienced throughout her journey.

BIRN Album Review: Grains by Little Monarch

Little Monarch‘s EP Grains is lighthearted and lovable. With strong indie and pop influences, Grains takes a relaxed tone that’s easy to enjoy. The album starts off with the song “Got Me Good”, a carefree and content love song. The track is full of smooth melodies, claps, and snaps that give the song a laid-back West Coast vibe. Being the first track on Grains, “Got Me Good” sets the tone for the EP, and tracks like “See You” and “Bloom” solidify the sound that Little Monarch so carefully creates. One of the features that stands out on “See You” is the vocal harmonies. They are extremely well-written, as they bring listeners ears to new heights and fill out the sound of the chorus. While “Got Me Good” and “See You” are slightly more upbeat, Little Monarch creates a contrast with their slower-paced conclusion to the album, “Bloom”. Catchy electric guitar loops are the name of the game in “Bloom”, as they form a steady baseline for the lead vocalist’s voice to shine. The combination of electric beats, guitars, and synths give the track an ethereal sound that contrast with the more focused sound of the vocals.

Little Monarch made a great contribution to the indie genre with Grains. The EP is full of upbeat lyrics and catchy melodies that create a fresh and optimistic sound. In short, Grains is a great listen for fans of any genre. Kick back, relax, and enjoy Little Monarch’s Grains below!

Lola Kirke plays BIRN Alive

Check out our video of Lola Kirke performing “Shoulda Cheated” and “Seeds and Stems” on BIRN Alive!

Lola Kirke is a singer, songwriter, and actress writing country-rock inspired music. Kirke stopped by the BIRN studios in September while touring in support of her EP, Friends And Foes And Friends Again.

BIRN Album Review: MAGDALENE by FKA twigs

Avant-pop artist Tahliah Debrett Barnett (better known as FKA twigs) has made a memorable comeback with sophomore album MAGDALENE–one of the BIRN’s favorite albums of 2019. After the release of her debut album LP1 in 2014 and touring the world, she went on a lengthy hiatus, followed by surgery removing six fibroid tumors from her uterus, among other sudden life changes. During Barnett’s time in recovery, she began making many self-healing realizations about her own womanhood, and rebuilding confidence in her femininity–resulting in MAGDALENE, a thoughtfully produced experimental-pop masterpiece that speaks volumes to women today.

Barnett had hit a rough patch while working on the album–but the heightened emotions she was experiencing only strengthened her artistic vision and enhanced her writing. She took inspiration from Mary Magdalene’s story, resonating with her inner turmoil as a woman who struggled to be accepted in society. Barnett decided to embody the character of Mary Magdalene as a symbol of empowerment, encouraging other women to take control of their own narrative. Although MAGDALENE isn’t quite a concept album, its powerful themes, biblical references and religious imagery might easily fool you–thanks to Barnett’s skillful attention to detail and intentional placement of each track, lyric, beat, and rhythm. MAGDALENE’s sound delves deep into experimental territory, a bit more so than Barnett’s prior more “accessible” works–with subtle additions of church choir-like background vocals and cinematic swells of a string orchestra. Many aspects of the production draw comparisons with other experimental art-pop artists like Bjork, Grimes, and SOPHIE. 

Kicking off with the haunting “thousand eyes” and closing with “cellophane”, a fragile and emotion-filled ballad, the album progresses from eerie, dark and complex to soft and vulnerable slow-tempo tunes with truthful words like “A woman’s work, a woman’s prerogative, a woman’s time to embrace she must put herself first”. This contrast seems to represent that there are many more layers to a woman than what may be seen or expressed on the surface–just cause one may appear to be gentle doesn’t mean she can’t also be assertive and aggressive, and vice versa. MAGDALENE does a clever job at expressing how society has misrepresented women to be only one thing or another for ages, and FKA twigs’ courageous self-expression is incredibly admirable.