Erin’s Prime Slices of the Week (3/11-3/18): Gundelach, Meernaa

Gundelach – Baltus // electro pop

Baltus is Gundelach’s very first full length album, and I hope it wont be his last. Although it is easy to hear the 80s synth-pop influences, Gundelach’s sound can also be comparable to more modern artists like James Blake or Sylvan Esso. The lyrics hit hard, with lines like “you don’t know how it feels to be alone” in Control (track 4) echoing among distant synthesizers and a steady, yet intricate beat. This line seems to mirror the theme that runs throughout the entire album; loneliness. Gundelach’s vocals are silky smooth on top of his simple arrangements, and blend with ease together with ARY on tracks 6 and 8. Continue reading “Erin’s Prime Slices of the Week (3/11-3/18): Gundelach, Meernaa”

Show Review: Jonathan Wilson at The Sinclair 3/10

As the audience trickled into the Sinclair, it seemed that no one had any idea what to expect from Laraaji, the opening act for the Jonathan Wilson show. He shuffled out on stage toward a small table, draped with a tapestry, just slightly off center. For the next 45 minutes, Laraaji took the audience on a spiritual journey, plucking his electronic zither with closed eyes and a soft demeanor. Continue reading “Show Review: Jonathan Wilson at The Sinclair 3/10”

Ruby’s Prime Slices (3/4-3/11): Tracy Thorn, The Breeders

Tracy Thorn– Record (Pop)

Tracy Thorn’s third solo album post Everything But The Girl revels in 80s pop and disco nostalgia in a natural and genuine way that seems left out of a lot of current 80s revival. On Record, the synths are warm, the drums are fat, and Tracy Thorn’s voice cuts through with clarity and power. Continue reading “Ruby’s Prime Slices (3/4-3/11): Tracy Thorn, The Breeders”

Erin’s Prime Slices of the Week (3/4-3/11)

Current Joys – A Different Age // lo-fi rock

“A Different Age” is the type of album you want to listen to from start to finish after a really long week. Nicholas Rattigan, the sole songwriter behind Current Joys, cuts deep with his lyrics and heart-wrenching vocal delivery. The songs are simple and lo-fi – mostly just vocals, guitar, light synths, and a simple drum pattern – but that kind of seems to be the point. Songs like “No Words” have a strong meditative vibe, while the title track “A Different Age” tells an emotional story about being an artist in todays world. Be sure to check out each track’s corresponding video, as this is a visual album (link for “A Different Age” below). Continue reading “Erin’s Prime Slices of the Week (3/4-3/11)”

Ruby’s Prime Slices of the Week (2/25-3/4)

Joan As Police Woman – Damned Devotion (R&B, Singer Songwriter)

Lou Reed and Elton John collaborator, Joan Wasser, returns with her Joan As Police Woman project to deliver an excellent album that sounds both current and referential. Damned Devotion feels as though it has always existed. Wasser’s songwriting and arrangements are front and center and accented by the warm and clear production.

Favorite Songs: Wonderful, Warning Bell, The Silence

Continue reading “Ruby’s Prime Slices of the Week (2/25-3/4)”

Erin’s Prime Slices of the Week (2/25-3/4)

Superorganism – Superorganism // experimental electro

Superorganism’s self titled album is a wild ride from start to finish, filled with all of the strange little moments that make the band unlike other electronic artist. Their music is a living thing that breathes and changes with every sample and synth dip. Lead singer, Orono Noguchi, presents such lazy, carefree vocals that juxtapose perfectly with the intricate and surprising arrangements and production. Check out the video below to see a really cool live performance of “Something For Your Mind,” an earlier single, and “Nobody Cares.”

Ruby’s Prime Slices of the Week (2/18-2/25)

Charlotte Day Wilson – Stone Woman (R&B)

Stone Woman is a stellar R&B EP full of rich warm production and a strong vocal lead. Charlotte Day Wilson delivers the intimacy of a lo-fi release with the clarity of a Billboard top 40 artist. Stone Woman is at times textural and ethereal and at other times sensual and direct.

Favorite Tracks: All of them… there’s only 6.

Continue reading “Ruby’s Prime Slices of the Week (2/18-2/25)”

Jonathan Wilson “Rare Birds” Review

Next Friday, March 10th, Jonathan Wilson will be playing at the Sinclair with Laraaji. Wilson’s newest album, “Rare Birds” will be dropping the Friday before, on March 2nd, and I recommend giving it a listen when it does. Featuring artists, like Father John Misty, Lana Del Rey, Lucius, Laraaji, and more, “Rare Birds” really showcases all of the connections Wilson has been busy making over the last few years, producing albums such as Father John Misty’s Grammy nominated “Pure Comedy,” as well as Karen Elson’s “Double Roses.” Continue reading “Jonathan Wilson “Rare Birds” Review”

Erin’s Prime Slices of the Week (2/18-2/25)

Jonathan Wilson – Rare Birds // ambient rock

While Wilson has such a clear and intense technical ability, I think the real core of his talent lies in his ability to transfer such soul into his projects. “Rare Birds” has all the emotion and power of Rock n’ Roll with a swirl of ambience in the mix – creating a sound that is both reminiscent and impossible to compare. Its classic rock from an alternate universe with drum machines and synthscapes that take you down roads you didn’t know existed. The goal of “Rare Birds” seems to be the overall impact of the sound and all of the moving parts within each track – give it a listen to experience it yourself.

Favorite Tracks: Over the Midnight, Miriam Montague Loving You, Living With Myself

Listen Here: https://www.youtube.com/watch?v=sBKnvy8cr80

Continue reading “Erin’s Prime Slices of the Week (2/18-2/25)”